Are you missing the joke of life? Are you ever satisfied? Do you seem to always live the life you don’t have? Do fantasies seem more real than the world around you?
Adam Phillips is a psychoanalyst who also spends his Wednesdays writing. Originally standing firmly in the Freudian camp, from essay to essay and book to book he has drifted into the world of philosophy. In this book he looks at:
- How we can never understand what we really want until we can recognize the nature of our frustration.
- How knowing what we don’t want — what we are running from — may show us more about ourselves than what we think we want.
- How (in my view) our world has shifted from one where morality meant something to one where morality is a game, where the Good Person is replaced by the Impressive Person, and being caught lying is now the crime as opposed to lying itself.
- We always want to be somewhere other than now, and we spend our time searching for the escape. To paraphrase Anna Freud, fantasies are the one area of our life where we can have our eggs any way we want them but we cannot eat them.
- How our yearning, our striving, our continual hope for satisfaction is a game we play with ourselves to deal with the shifting sands of life. That frequently, our search for satisfaction is about revenge.
- Some thoughts on why we get pleasure watching the mad attempt to get what they want. About how the mad are actually those who are filled with the certainty of their view of the world, and how seeing them in character form helps us to face the madness of the world around us.
Whew! Heady stuff.
And not written for the pleasure reader, either. Phillips has this annoying habit of using clauses within clauses within em dashes and brackets. This style makes some of his passages difficult going. For example:
But one of the strange things about satisfaction is that its anticipation precedes its realization; that it happens twice — not quite the first time as farce and the second time as tragedy — but first wishfully (in fantasy) and then in reality if one is lucky.
Each sentence is itself a Russian doll, then each paragraph enters the realm of thought tornado, with so many ideas flying about it makes you dizzy. Luckily they are all thoughts packed with insight.
He is a fan and student of literature, particularly Shakespeare, and uses the verbal arts as a launching pad for many of his thoughts.
The back flap of the book promises that Phillips will explain how, “if we accept frustration as a means to finding out what we really want, satisfaction becomes possible.” But I must admit, these plot points are made only through the subtextual connections in this book. Leaps of thought are required.
One can fault this book for its optimistic marketers who wanted to sell it to a mass audience, the inability of the editor to help refine the focus and for the copy editor letting Phillips get away with dense prose. But it does have immense value.
As a writer with a background in theatre and a keen interest in the origins and purposes of story, I found this book eminently thought-provoking.
I would recommend it to those who love Shakespeare, theatre, writers interested in delving into the depths of their characters and anyone who has looked at the world and wondered why they are not driven made by its workings.
On Missing Out by Adam Phillips